Bringing together works from across media including: performance to video, painting, sculpture, installation, and drawing, Homeland Security explores Stenbom's investigation into her conviction that in the consumer driven culture of a 21st century over saturated with information, fear has become a more powerful motivating factor than sex.

Appropriation and re-enactment are central to Stenbom's methodology. Taking her source material from public distribution media such as television, movies, advertising, government information broadcast, 24-hour news, and the Internet, Stenbom frequently casts herself as the protagonist of a pastiche that examines our anxieties and desires, reinterpreting scenarios within mass media, retail, and domestic life.

"...I have become specifically interested in what triggers fear in contemporary life and how that fear is used to capture our attention and imagination, making us 'happy customers' and ultimately controlling us."