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Latest News
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Matt Stokes wins a Paul Hamlyn Foundation Award
November 21, 2018 WORKPLACE are delighted to congratulate Matt Stokes on winning a highly respected Paul Hamlyn Foundation Award for Artists. Ten awards of £60,000 each are made annually by Paul Hamlyn... -
Marcus Coates: Utrecht Centraal commission extended due to Popular Demand
Marcus Coates 'Arrivals/Departures' 2016 - 2022 September 22, 2018 Arrivals/Departures, 2016 - 2022 Marcus Coates' commission for Utrecht Centraal train station has been extended by the City Council to 2022 Utrecht Centraal is the largest and busiest railway station... -
Creatures Made to Measure: Animals and Contemporary Design
Marta, Museum für Kunst, Architektur, Design. Herford, Germany 16 September 2018 - 6 January 2019 The designers and artists in this exhibition pose the question as to the “acceptable degree” of manipulation, taking a look at the relationship between humans and animals from new perspectives. -
Laura Lancaster: The Anomie Review of Contemporary British Painting
Compiled and written by Matt Price September 22, 2018 The Anomie Review of Contemporary British Painting considers and celebrates the work of forty artists whose practices have been shaping and defining Britain’s contribution to current painting on the national and international stage. -
Laura Lancaster: John Moores Painting Prize
Walker Art Gallery, Liverpool, UK July 14, 2018 The internationally-renowned John Moores Painting Prize is the UK's longest-established painting prize, founded in 1957. 2018 marks the art prize’s 60th anniversary and its 30th exhibition. -
Mike Pratt: The Baffled Chef
Tatjana Pieters, Ghent, Belgium October 2, 2018 Mike Pratt is interested in an expanded view towards painting, combining unconventional materials with a sensibility towards describing a certain moment. These new series of works are the result of... -
Schmaltz
Guimarães, Vienna 10 November 2018 - 10 January 2019 Schmalz is juicy. Schmalz is elastic. Schmalz is sexual. Schmalz is out of tune; Schmalz is non-binary; Schmalz has no gender, no race, no religion, no political party, no football club; Schmalz has no agenda; Schmalz is bio, vegan, paleo, Atkins, lactose and gluten intolerant. Schmalz does Love/Hate exceedingly well. Schmalz makes you feel schmalzy. A schmalzy artwork cannot be translated into words. Schmalz is an excuse. Schmalz is festive, Dionysian; Schmalz is crusty and juicy, and this can be a physical or conceptual state. Schmalz doesn’t need other titles. Being schmalzy defies any other sort of classification. Schmalz in non-bourgeois; Schmalz is anti - Anti-Art. Schmalz is Schmaltz. Schmalz is anti-schmalz. Schmalz is nice to you and your friends. Schmalz is a space for non-negotiable differences; a manifestation of human-grain that saves us from being tabula rasa. Schmalz is typing on your phone with fat fingers. Schmaltz is a show built with materials that do not need affiliations and have an elastic sense of their own materiality.
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