From Leighton to Lucas this fascinating book explores sculpture in
Britain from the end of the Victorian era to the dawn of the new
millennium.
With incisive essays, and previously unpublished archive material, this compelling book documents the seismic shifts in sculpture in the last century.
Edited by Penelope Curtis (former Curator of the Henry Moore Institute, now Director of the Tate Britain) and Keith Wilson (Sculptor, tutor at the Royal College of Art and Reader in Fine Art at University of Westminster).
With incisive essays, and previously unpublished archive material, this compelling book documents the seismic shifts in sculpture in the last century.
Edited by Penelope Curtis (former Curator of the Henry Moore Institute, now Director of the Tate Britain) and Keith Wilson (Sculptor, tutor at the Royal College of Art and Reader in Fine Art at University of Westminster).
