Laura Lancaster makes paintings from an ongoing archive of photographs and cine film found at thrift stores and flea markets, or bought on ebay. Her work transposes the discarded and forgotten snap-shots of anonymous strangers into an ambiguous and uncanny territory between abstraction and figuration. Divorcing her subjects from their specific context and time, Lancaster renders these images uncanny and strange. Shifting between the sentimental, the grotesque and the monstrous, she relocates them to a place of collective memory and subconscious experience. 
 
Lancaster's work confronts a male history of painting, drawing upon a range of influences including the work of Francis Bacon, Willem DeKooning, Gerhard Richter, Frank Auerbach, Georg Baselitz, Lovis Corinth, and James Ensor. Whilst restating the primacy of painting, Lancaster subverts the notion of authorial autonomy, allowing her work to become a conduit through which the lives of the lost and the nameless are connected with our own.

 

Laura Lancaster was born in Hartlepool, UK in 1979. She lives and works in Newcastle Upon Tyne, UK.

She has shown her work in exhibitions worldwide including Laura Lancaster, New Art Gallery Walsall; A Stranger's Dream, Sargent's Daughters, New York; Laura Lancaster, Wooson Gallery, Korea; Shapeshifter, Workplace London, UK. Group Exhibitions include: Dismaland, Weston-super-Mare, UK; Private Utopia, Tokyo Station Gallery, Japan; Museum of Art, Kochi, Japan; Itami City Museum of Art, Japan; Prefectural Museum of Art, Japan; Kunstmuseum Bern, Switzerland; Museum of Modern Art St Etienne; Glasgow International; October - Salon, Belgrade, Palazzo Della Arte, Napoli; Accademia d'Ungheria a Roma; BALTIC 39, Newcastle, UK; John Moores Prize, Liverpool, UK.

 

Lancaster's work is represented in numerous international collections including The British Council Collection; New Art Gallery, Walsall, UK; Nerman Museum, Kansas, USA; The Government Art Collection, UK and numerous private collections worldwide. Her work has recently been published in Vitamin P3: New Perspectives in Painting by Phaidon Press, and Picturing People by Charlotte Mullins for Thames and Hudson.